In an attempt to provide a little relief during this time of "social distancing," we are posting short pieces of music from our archives as well as videos of artists who have performed for CMS. Usually these will be encores, short sections from longer works, or unusual musical performances.
Please bookmark this page—a new Musical Moment will be posted every Saturday.
June 27, 2020
Elizabeth Schumann, piano
Elizabeth was first prize winner in the Society's 2008 Biennial Piano Competition. She then won prizes in many more competitions. (Visit her website.)
In 2012, Elizabeth founded "Project Classical," designed to encourage the appreciation of classical music.
Elizabeth also devised and directs "Piano Carnival," a project to introduce free, high quality classical concert music to children, based around Saint-Saëns' famous composition, Carnival of the Animals. View on the Apple app store.
In this 4-minute video Elizabeth plays the Liszt adaptation of Schubert's lied, The Elf King, "Erlkönig."
View more of Elizabeth's videos here.
June 20, 2020
Anne Akiko Meyers, violin
with Akira Eguchi, piano
Violinist Anne Akiko Meyers performed for the Music Society with accompanist Li Jian in October 1992.
Anne returned to Carmel in 2016 for a concert with the Monterey Symphony Orchestra.
In this encore performance of the Bach/Gounod "Ave Maria," Anne is accompanied by Akira Eguchi. The concert was at the 2018 opening of the Arvo Pärt Centre in Estonia.
June 13, 2020
Frederic Chiu, piano
Pianist Frederic Chiu played a concert for the Music Society in January 2005.
In his comments in Peninsula Reviews Lyn Bronson wrote, "Chiu played one encore, the Schubert/Liszt Serenade, (Ständchen) and it was lovely."
Frederic has since recorded this piece and you can watch the five minute performance.
Visit Frederic Chiu's website
The Hagen String Quartet
Mozart started writing string quartets at age14. By age 17 he had written thirteen.
Of these, the later ones were influenced by the quartets of Joseph Haydn then age 41.
One good example is in the fugal fourth movement of No.13 (KV.173).
The next six quartets that Mozart wrote were dedicated to Haydn. They were not published until 12 years later in 1785.
The Hagen String Quartet played two Mozart quartets (#19, #20) for the Music Society on November 4, 2014.
This movement (KV.173-4, Allegro) is from their recordings collection.
May 30, 2020
Sean Chen, pianist
Among his many professional skills, Sean Chen arranges music from other genres for piano performance.
In his 2016 Carmel concert, he played his own paraphrase of the aria; "Madamina" from Mozart's opera, Don Giovanni.
“He achieved an amazing feat in combining complicated vocal and instrumental textures. Madamina was so much fun that you instantly wanted to hear it again.” (Read Lyn Bronson’s online review)
"Madamina, il catalogo è questo" (also known as the Catalogue Aria) is sung by Don Giovanni's servant, Leporello, to Elvira, who is the Don's most recent "liaison."
Remember Elvira Madigan anyone?
May 23, 2020
Sean Chen, pianist
After winning the 2013 American Pianists Awards, placing third at the 2013 Van Cliburn International Piano Competition, and being named a 2015 Annenberg Fellow, Mr. Chen is now a Millsap Artist in Residence at the University of Missouri-Kansas City Conservatory of Music and Dance.
He performed for Carmel Music Society on February 14, 2016: Valentine's Day.
Appropriate to the date, as an encore he played Gershwin's 'Love Walked In' arranged by Percy Grainger.
May 16, 2020
Man-Ling Bai, pianist
Winner of the 2016 Carmel Music Society Piano Competition
Man-Ling Bai, in her competition award winner's concert in 2017, played an improvisation on a theme which had previously been requested from music teachers.
Of the eight themes submitted, Man-Ling chose one at random. It was written by piano student Jordi Faxon, then 14 years old.
Click here to view a pdf of the original composition.
In this live excerpt from the concert, Man-Ling plays first the theme as written, and then makes a three minute improvisation.
For the full review of the concert by Lyn Bronson, click here.
May 9, 2020
Remembering Lynn Harrell
Internationally renowned cellist Lynn Harrell, who died on April 27, 2020, presented concerts for CMS in 1992, 2006, 2011, and 2012. He was always gracious, friendly and humorous.
In the 2012 concert he and pianist Jon Kimura Parker played an aria from Mozart's Magic Flute: "Der Vogelfänger bin ich ja!" In the opera the baritone plays pan pipes between verses. The pipes you hear were made to Lynn's specifications for this piece, and he plays them alternately with the cello.
Halfway through Lynn begins to sing and is joined in an unscripted performance by baritone Peter Tuff, Executive Director of CMS, who sings a verse, much to the audience's amusement.
We shall remember Lynn Harrell for a long time. He is part of our history.
May 2, 2020
Name the mystery composer!
This brief musical work, played by the late Tatiana Nikolayeva, is titled Fugue in A Major.
The composer's name will be familiar to you, but it will not be revealed until the very end of the two-minute performance.
Can you identify the composer during the playing time?
Click the thumbnail to the right to listen and watch...
April 25, 2020
Bach-Siloti: Andante from Violin Sonata
in A Minor, BWV 1003
Tanya Gabrielian, pianist
Continuing with the Alexander Siloti arrangements of Bach's music for modern piano, here is Siloti's transcription of the Andante from Bach's Sonata for Violin in A Minor, BWV 1003. It's about five minutes.
The pianist is Tanya Gabrielian, first prize winner of Carmel Music Society's piano competition in 2010.
April 18, 2020
Prelude in B Minor by Alexander Siloti (1863-1945)
Vadym Kholodenko, pianist
As an encore at the conclusion of his 2013 CMS concert in Sunset Center, Russian pianist Vadym Kholodenko plays an arrangement by Alexander Siloti of J.S. Bach's Prelude in E Minor BWV 855a.
For a listening comparison, here is a YouTube video of the original Bach Prelude played on piano (Vadym is not the pianist). It is performed twice: once with a view of the keyboard and then with a display of the score. Notice that Bach's melody is originally in the left hand; Siloti moved it to the right hand in his arrangement.